Carly Rae Jepsen made Harry Nilsson’s sexy Popeye song even sexier

Carly Rae Jepsen made Harry Nilsson’s sexy Popeye song even sexier

The late Harry Nilsson is having an unlikely renaissance this year. In February, his song “Gotta Get Up” was featured repeatedly in the Netflix show Russian Doll, which helped introduce his music to younger generations and prompted a 2,466 percent surge in streams and downloads. Still, nobody expected the departed pop genius to receive a writing credit on Carly Rae Jepsen’s new album, Dedicated — least of all Nilsson’s own family.

It is perhaps the most unexpected credit on a top-tier pop album since Animal Collective showed up in the liner notes of Beyoncé’s Lemonade. On “Everything He Needs,” a cut from her new album, Jepsen has interpolated the early-’80s Nilsson-penned gem “He Needs Me.” The presence of a swooning Nilsson hook is immediately apparent to anybody with a fondness for the artist himself — or a childhood spent watching the Robert Altman-directed 1980 Popeye film.

Jepsen, it seems, fits into both categories — admirer of Nilsson, lover of Popeye. The pop queen’s tastes run eclectic — in a recent interview, she described being raised by a mother who had her analyzing Leonard Cohen lyrics as an eight-year-old. While working on Dedicated, she and her collaborators apparently found themselves discussing the musical virtues of the Popeye film, which features a glorious score written by Nilsson towards the end of his career. (The songs were subsequently sung by the film’s stars, mainly Robin Williams and Shelley Duvall.)

According to a recent Guardian profile of Jepsen, this conversation prompted a highly unusual idea: “They liked the idea of adapting Olive’s song ‘He Needs Me.’ What if they ‘funked it out,’ wrote a pre-chorus around the concept, and changed it into a sexy song about the great spinach eater?”

Nilsson’s family is impressed. “We thought the song is fun,” Harry’s daughter, Annie Nilsson, told me via Twitter message Friday morning, upon hearing Jepsen’s song for the first time. “We always like hearing what the younger generation of pop stars is doing with our dad’s music.”

Annie added: “On a personal note, my five-year-old loves Carly Rae, so she’s got a fan among Harry’s grandkids. Honestly, who could dislike Carly Rae?”

The original song, “He Needs Me” — written by Nilsson and sung in a sweet, airy voice by Duvall — has become a minor classic over the years. Nearly a decade after Nilsson’s death, Paul Thomas Anderson plopped it right in the middle of the Palme d’Or-nominated Punch-Drunk Love, so a certain subset of Gen X has already been exposed to it. And real heads know about the demo version of the song, in which you can actually hear Nilsson teaching Duvall to sing it.

The resulting Jepsenification of the tune is wondrous. I heard it for the first time this morning. I have listened to it six times since then. It is a radical upending of Nilsson’s chorus melody, though despite the new verses, the lyrics really are still about Popeye. While the Nilsson version used a woozy, swaying rhythm to evoke a sense of romantic stupor, Jepsen’s track is an uptempo electro-funk groove. She transforms the hook into an insistent staccato chant: louder, bolder, maybe hornier. I’m especially enamored with the little chipmunk-voiced vocal snippets scattered throughout, which remind me of Michael Jackson’s “P.Y.T.” but might remind you of Passion Pit or some shit.

Jepsen reportedly had to go to absurd lengths to license the track from Disney, which owns the rights to the Popeye material. The Guardian piece includes this wild anecdote:

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Written By: Zach Schonfield

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